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费利尼（人名）
1、sorely felt───痛感
2、felicitated definition───恰当的定义
3、unsafelywelcome go home───不安全欢迎回家
4、fell out───争吵，发生；v.争吵
5、felo-de-se definition───费尔德斯定义
6、bedfellow define───床友定义
7、fell sleep───入睡，睡着
8、felon magazine───重罪杂志
9、felstone field quest chain───费尔斯通野外任务链
10、fellow workers───工友
1、As they stood in line, Leonard had mentioned that the Film Society was playing a Fellini film that weekend.───在排队买咖啡时，伦纳德提到电影协会在那个周末将要放映一部费里尼的电影。
2、Director Rian Johnson says Fellini's classic has transformed over the years and has a joyful melancholy.───莱恩·约翰逊表示费里尼的经典电影会随着岁月流逝而转变并且有一种快乐的悲伤。
3、Margaret Atwood, the novelist, compared Mr. Calvino's urban landscapes to ''the early Fellini films.''───小说家玛格丽特·阿特伍德（百科）把卡尔维诺先生笔下的城市景色比作 “费里尼 (Wiki)的早期电影。”
4、I've never seen a Fellini film.───我从来没有看过费里尼的电影。
5、She spoke Polish to her maternal grandmother and watched movies of Federico Fellini and Satyajit Ray with her cinephile dad.───她跟外婆说波兰语，和爱好电影的爸爸一起看费德里科•费里尼和沙提阿耶特雷的电影。
6、Do you like Fellini?” he asked.───你喜欢费里尼吗？” 他问道。
7、Fellini said he did not need the images -- on Nino Rota's mind, the stories came up on the musical shape.───费里尼说，尼诺不需要画面，在他的想象中，故事就能按照音乐的形状发生。
8、But Fellini's characters, who were middle-class and had lusty appetites, at least were hopeful on their way to despair.───然而费里尼那些YuHuo焚身的中产阶级角色，至少对他们通向绝望之路满怀希望。
1、In essence(sentencedict.com/Fellini.html), the whole of Fellini can be found in this sequence from La strada.
2、In Fellini, the town square is never felt to be the social center of a community.
3、Fellini lacked any formal training in cinematography and developed his personal style only after a long apprenticeship as a scriptwriter.
4、Of course, Fellini would reject such intellectual speculations.
5、By 1965, Fellini had reached the pinnacle of his commercial success.
6、Fellini collaborated with Rossellini on the script of the film.
7、This definition fits the description of a Fellini shooting script only in part, however.
8、Federico Fellini has consistently maintained that he was influenced by Roberto Rossellini more than any other single film-maker.
9、In La Strada, Fellini and Rota also demonstrate the poetic power of film music.