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n.巴尔扎克（法国小说家）
1、what a ball───多棒的球
2、cymbalista synagogue───钹式会堂
3、balls race───滚珠座圈；[机]轴承座圈
4、kind of ball───有点像球
5、sex baliye───性报告
6、cymbals icon───钹图标
7、ballooner lp───气球式低压
8、breaky ball───碎球
9、monkey ball───猴子球
10、caba baseball───卡巴棒球
1、"NO HUMAN authority" , wrote Balzac, "can encroach upon the power of an investigating judge; nothing can stop him; no one can control him. "───作家巴尔扎克写道：“没有人性的权威可以侵犯调查法官的权力，没有什么可以阻止它，没有人可以控制它。”
2、One day a woman friend brought him a young boy's exercise book. She said that she wanted to know what Balzac thought of the boy's character.───一天，与他相熟的一位女士拿来一本男孩的练习册，说他想知道巴尔扎克对这个男孩的看法。
3、Is it Balzac the individual, furnished by his personal experience with a philosophy of Woman?───是否巴尔扎克自己的，个人经历就是由女性哲学衍发出来的？
4、Not Balzac. Not Flaubert.───不是巴尔扎克，也不是福楼拜。
5、Balzac wrote of Cooper that "in his hands the art of the pen has never come closer to the art of the brush. "───巴尔扎克对库珀的评价是“在他的手里，文字的艺术跟画笔的艺术截然不同。”
6、As Balzac once said, Behind every great fortune lies a great crime.───巴尔扎克曾说过，“每一笔巨大的财富背后都隐藏着罪恶。”
7、After taking a quick look at the composition book . Balzac asked the woman whether she was the child's relative or not .───在快速的扫了一眼他的作文本之后。巴尔扎克问那位女士这个孩子是不是她的亲戚。
8、Does not the age of Balzac, Dickens, Dostoyevsky and Tolstoy dwarf its earnest, fitfully brilliant but ultimately punier successor?───如果不是Balzac，Dickens，Dostoyevsky和Tolstoy的时代的低调认真的创作，断断续续的杰出创作但是最终却弱势继承？
9、This part inquires how Balzac who had been a impetuous literary youth grown into a great realistic writer.───这部分主要探讨了巴尔扎克是如何从一个莽撞学步的文学青年成长为一个伟大的现实主义作家的。
1、Honore de Balzac, French novelist, died in Paris.
2、Balzac the elder had retired.
3、Here is the territory of a Balzac.
4、While in Pairs he got acquainted with Balzac.
5、The pontoon bridge linking Balzac to Joyce.
6、Balzac was the most popular realist writer in France.
7、Balzac was one of her favourite authors.
8、Is it Balzac the individual, furnished by his personal experience with a philosophy of Woman?
9、French author Balzac was one of the creators of realism in literature a bent for satire.